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Instead of setting the ISO to 100 to get crisp looking images in bright sunlight, or shooting in ISO 800 to fetch details in darker shots, you get the best of both worlds without compromise. The reason shooting HDR is a good idea, is to get exactly that a High Dynamic Range. I say flat because even though it's HDR by definition, it's not the main purpose of this article. It should, depending on your preset, look exactly like you'd think. Drop it into a new composition and hit RAM preview to look at it as-is. Load up After Effects again and import the HDR EXR sequence (One should've been created alongside the TIFF-sequence). the part where the joy of shooting HDR really comes into play.
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Feel free to take a break now, but we're still not quite done. Once it's done, you can look at your newly joined HDR stream and jump for joy. Just like Rendering in AE, 60fps will take more than double the time than it would to render 24fps. Make sure to set the destination to a different folder and save final result as 16-bit TIFF then hit " Run".ĭepending on your computer and the length of your footage, this may take some time. Now, offset the bottom layer by trimming the first frame Duplicate your footage once (Ctrl/Cmd-D). Let's begin by firing up AE and dragging your footage into a new comp. If the camera could complete the work for you, you probably wouldn't be reading this article. You're left with a weird-looking epileptic attack that leaves even the strong-minded people slightly insane. Splitting the Streams and Joining Them Againīy now you've probably noticed that the video isn't completed in camera. You know how it works to a certain degree now, so get out there and start shooting HDR Video! The "theory/math" bit is taken care of now. If you're showing this on a 50"+ HDTV, however, It could be a problem.īut never mind that.
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720p is usually more than enough, and only hardcore geeks and nitpickers will really see the difference on a 24" PC monitor. To fix it, you will have to shoot in 60fps, compromising resolution down to 720p. Why? Because the camera obviously can't shoot at two exposures simultaneously, so it tries it best to work fast enough, but 24fps really isn't enough. the less frames per second, the more ghosting artifacts there'll be.
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With what we're doing today, HDR video willoverlap two ISO values, so shooting at 1080p24 will result in two 12fps streams, right? Right! This means that your final result will actually be 12fps. Okay, so your camera should be set to shoot HDR video, but wait! If you already went ahead and clicked record, it might not be right yet. To enter the ML menu, start your camera in VIDEO mode, let it boot, and hit the recycling bin button. Okay, assuming you've got ML loaded up, let's move on to setting up your camera to shoot HDR. When composing the images, you'll get one smooth part and the other will have really noisy bits. Using a higher bracket, for instance 100/3200 won't look as good as you may think, since higher a ISO means more noise. The process is basically shooting two ISO values rapidly, resulting in ghosting artifacts by even minor motion, effectively meaning you should use it mainly on static or slowly moving shots with little-to-no action.
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It should be noted that Magic Lantern is a CUSTOM FIRMWARE, that you take full responsibility for installing, and one that *might* brick your camera, but as far as I know, there's not been reported a single incident thus far.
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HDR Video is also among the features, and it's what we'll be focusing on in this article. So, how does it work? Magic Lantern (ML from here on) is a custom firmware that allows you more control over your Canon DSLR, with features such as ACG (Automatic Gain Control), Shutter lock, FPS override, bit rate control, zebra stripes and trap focus. All you need is a camera that accepts the Magic Lantern firmware and said firmware. Now, you've already heard about HDR ( High Dynamic Range), in the case of images all over the internet, but how about working with HDR footage? It's not only possible, but also relatively easy to do.
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We'll start with how to shoot your video, talk about how to combine the clips and finally how to color correct to get a better result. Today we'll be discussing the possibilities of shooting HDR video using a Canon DSLR (In my case, a Rebel T2i/550D) paired with a custom firmware made by Magic Lantern.